Etty, the Play
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An Interrupted Life
Etty
Hillesum’s life was interrupted by the Holocaust. Susan Stein’s life was interrupted by Etty
Hillesum’s letters and journals. On Wednesday,
March 13, we have a chance to have our lives interrupted by Susan Stein’s
dramatic adaptation of those diaries, Etty.
When she
died (the power of the play can sustain the spoiling) at the hands of the Nazis
in 1943, Etty was a 29-year old student from Amsterdam. In the play, she struggles with guilt,
complicity, and maintaining a faith in humanity in the face of Nazi
brutality. But she refuses to be defined
by her circumstances. She writes, “I
don’t want to be a chronicler of horors.”
She knew that others would do that.
Instead, she wanted to show that life can be simultaneously beautiful
and horrible. A Jew who had begun
reading Rilke, Dostoevsky, Augustine, and the Bible, Etty carries on a
one-sided dialogue with God about the Shoah that she and her people were
enduring. Pope Benedict recently
mentioned Etty in his final Ash Wednesday homily:
"I
also think of the figure of Etty Hillesum, a young Dutch woman of Jewish origin
who died in Auschwitz. Initially far from God, she found Him looking deep
inside herself and wrote: 'There is a well very deep inside of me. And God is
in that well. Sometimes I can reach Him, more often He is covered by stone and
sand: then God is buried. We must dig Him up again' (Diary, 97). In her
scattered and restless life, she finds God in the middle of the great tragedy
of the twentieth century, the Shoah. This young fragile and dissatisfied woman,
transfigured by faith, becomes a woman full of love and inner peace, able to
say: 'I live in constant intimacy with God.'"
Because of
its serious themes, this is not a play for our youngest children. We recommend it for Middle and Upper School
students, and for our parents. We’re
encouraging other schools in the area to join us as well.
Stein has
performed her Etty in theaters and
schools, and she is earning
a reputation for a simple and courageous portrayal of this young woman who
found her voice in the most unimaginable horrors. The play was
nominated by Amnesty International for their Freedom of Expression award.
C.S. Lewis
once said that God is often in the interruptions of our lives. Stein tells
the story of how she discovered Etty’s letters and was captured by her
self-revelations. The idea of the play
was born, but not until a serious car accident interrupted Stein’s life did she
resolve to write. I hope that many in
our Trinity community will allow their lives to be interrupted for an evening,
to open themselves up to whatever God might be doing through this
experience.
I can’t
help but think of another great soul whose life was interrupted by the same
Holocaust. In 1939, Dietrich Bonhoeffer
had just arrived in America so as to avoid forced military service in the Nazi
cause. But as soon as he landed on this
continent, he had serious misgivings, and within a month he had boarded a ship
to return to Germany. “Only he who cries
out for the Jews may sing Gregorian chants,” he had once written. Now was the time to live that out. Now was the time to turn back to the
suffering. Now was the time to let the
Great Interruption become the main thing.
We are
pleased that Susan Stein will be with us on Thursday and Friday after the
play. She will visit classes to discuss
her play and its themes. The Senior
Theology class will be talking about Etty’s letters as an entre into their
study of the problem of evil and suffering.
We look forward to all the ways (especially the unexpected ones) that
Ms. Stein and her Dutch friend will teach us during their visit.
The play
lasts an hour, and then we will hold a panel discussion with Stein and some
other guests. I hope many of you can
join us at 7:00 p.m. in the Blue Gym on Wednesday, March 13.
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